The Company of Wolves
Why this pick
Like Matteo Garrone’s fable, it turns fairy-tale imagery into lush, unsettling adult fantasy, with sensual grotesquerie and stories that slip dreamily between innocence, danger, and transformation.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like Matteo Garrone’s fable, it turns fairy-tale imagery into lush, unsettling adult fantasy, with sensual grotesquerie and stories that slip dreamily between innocence, danger, and transformation.
Why this pick
A visually extravagant storybook fantasia whose nested tales, ornate costumes, and tragic undercurrent echo the handcrafted grandeur and darkly playful cruelty of Tale of Tales.
Why this pick
This stark black-and-white folk nightmare shares Tale of Tales’ earthy medieval strangeness: superstition, desire, bizarre creatures, and deadpan cruelty shaped into a singular visual world.
Why this pick
For its fearless collision of beauty and monstrosity, this seductive modern fairy tale offers similarly heightened performances, tactile fantasy, and an escalating sense that desire carries a brutal price.
Why this pick
A severe, intimate Grimm-inflected tale with a medieval emotional texture, it finds the same unsettling power in folklore, female vulnerability, family cruelty, and matter-of-fact magic.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Three fairy tales revolve around a king (John C. Reilly) who must slay a sea monster, a giant flea and a womanizing ruler (Vincent Cassel) who's in for a surprise.
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02 / FACES IN THE FRAME

Queen of Selvascura
Prince Elias of Selvascura

Jonah

King of Roccaforte

Dora

Imma

Princess Violet of Altomonte

Fenizia