Le Amiche
Why this pick
Antonioni again turns social observation into quiet suspense: women’s friendships, romantic manoeuvring, and an elegant urban milieu reveal emotional distances with the same cool precision.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Antonioni again turns social observation into quiet suspense: women’s friendships, romantic manoeuvring, and an elegant urban milieu reveal emotional distances with the same cool precision.
Why this pick
Its affluent Milan setting and exquisitely composed spaces extend Story of a Love Affair’s fascination with marriage as a landscape of silence, distrust, and drifting desire.
Why this pick
A more abstract but deeply related study of fragile attachment, where modern architecture, financial bustle, and pauses in conversation create Antonioni’s distinctive emotional chill.
Why this pick
This stripped-back Antonioni drama shares the earlier film’s melancholy observation and moral unease, following a man through industrial landscapes after a relationship fractures.
Why this pick
Another early Antonioni portrait of a woman caught between desire, image, and money, filmed with a sharp eye for the lonely machinery behind glamorous social surfaces.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
At a detective agency in Milan, Carloni (Gino Rossi (actor)) is looking through photographs of an attractive young woman, Paola Molon Fontana (Lucia Bosè), given to the agency by her wealthy industrialist husband, Enrico Fontana (Ferdinando Sarmi). The couple were married seven years ago, shortly after meeting each other. Fontana's recent discovery of these old photos have aroused his suspicion, and Carloni is hired to uncover whatever he can about Paola's life before her marriage. Carloni travels to the town of Ferrara, where Paola spent much of her youth. The detective soon discovers that she was best friends with two girls in town. He goes to the apartment of one of her friends, Matilde (Vittoria Mondello), and learns from her husband that Paola and Matilde's friend Giovanna Carlini died in a tragic elevator shaft fall a few days before she was to be married to Guido Garroni, a local boy with whom Paola had also been involved. When the sullen Matilde arrives home, she refuses to cooperate with Carloni. After the detective leaves, Matilde writes a letter to Guido, alerting him that a suspicious man is investigating Paola's past.
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02 / FACES IN THE FRAME

Paola Molon Fontana
Guido