cinehunch
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
01
Why this pick
Antonioni again turns modern architecture and industrial space into an emotional landscape, following a woman whose isolation is rendered through patient silences, uneasy encounters, and rigorously composed color.
02
Why this pick
Its all-night drift through Milan shares L'Eclisse's cool precision and attention to intimacy failing in real time, with estrangement conveyed through rooms, pauses, and glances rather than dramatic explanation.
03
Why this pick
A more elusive Antonioni journey, but with the same fascination for emotional vacancy, dislocated identity, and environments that seem to quietly overtake the people moving through them.
04
Why this pick
For the pleasure of watching women wander, observe, and form a charged, ambiguous connection: Rivette is more playful than Antonioni, yet equally patient about time, space, and uncertain feeling.
05
Why this pick
Its immaculate urban compositions and restrained performances create an Antonioni-like sense of chance and distance, while a tentative bond develops through observation rather than conventional romantic momentum.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
On a Monday of July 1961, at dawn, Vittoria (Monica Vitti), a young literary translator, breaks off her relationship with Riccardo (Francisco Rabal) in his apartment in the EUR, Rome residential district of Rome, following a long night of conversation. Riccardo tries to persuade her to stay, but she tells him she no longer loves him and leaves. As she walks the deserted early-morning streets past the EUR water tower, Riccardo catches up and walks with her through a wooded area to her apartment building, where they say their final goodbyes.
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02 / FACES IN THE FRAME
Vittoria
Vittoria's Mother
Ercoli
Piero
Riccardo
