Ride the High Country
Why this pick
Like Monte Walsh, it is a melancholy farewell to an aging West, built around weathered horsemen whose loyalty and hard-earned codes are tested by a changing world.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like Monte Walsh, it is a melancholy farewell to an aging West, built around weathered horsemen whose loyalty and hard-earned codes are tested by a changing world.
Why this pick
A spare, elegiac modern Western about a stubborn cowboy outliving his era, with the same sense of freedom slipping away and a deeply humane central performance.
Why this pick
Its dusty humor, tender romance, and gradual awareness of modernity encroaching make it a warmly bittersweet companion to Monte Walsh’s end-of-the-frontier mood.
Why this pick
It shares Monte Walsh’s ranch-life texture, plainspoken masculinity, and affectionate attention to working cowboys, while giving its cattle drive a more urgent dramatic edge.
Why this pick
This unhurried portrait of a rodeo rider returning home has the same lived-in Western atmosphere, bruised pride, and affection for men trying to preserve a fading way of life.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Monte Walsh is an aging cowboy facing the final days of the Wild West era. He and his friend Chet Rollins, another longtime cowhand, work at whatever ranch work comes their way, but "nothing they can't do from a horse". Their lives are divided between months on the range and the occasional trip into town. Camaraderie and competition with the other cowboys fill their days. They seek work and take a job at the ranch of Cal Brennan, where they meet an old friend, Shorty Austin, another ranch hand.
02 / FACES IN THE FRAME

Monte Walsh

Martine Bernard

Shorty Austin
Sonny Jacobs
Sunfish Perkins

Petey Williams

Sugar Wyman
Jumpin' Joe Joslin