The Long Good Friday
Why this pick
A bruised, street-level London crime drama with the same mix of working-class grit, volatile loyalty, and increasingly dangerous underworld entanglements.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A bruised, street-level London crime drama with the same mix of working-class grit, volatile loyalty, and increasingly dangerous underworld entanglements.
Why this pick
Its rain-soaked nocturnal mood, tentative romance, and low-key criminal menace closely suit Mona Lisa’s melancholy, character-led approach to noir.
Why this pick
A morally uneasy British crime road film, driven by shifting power between damaged men rather than action, with spare, ominous tension.
Why this pick
A cool, shadowy London noir about a man drawn into criminal compromise; it shares Mona Lisa’s fatalistic mood and fascination with blurred loyalties.
Why this pick
A recently released criminal trying to live differently becomes entangled with a vulnerable woman and old associates, played with romantic melancholy rather than swagger.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
George (Hoskins), a low-level working-class gangster recently released from prison, is given a job in London by his former boss, Denny Mortwell (Caine), as the driver and bodyguard for a high-priced prostitute named Simone (Tyson). Mortwell also wants George to gather information on one of Simone's wealthy customers for blackmail purposes. Simone, who has worked hard to develop high-class manners and an elite clientele, initially dislikes the uncouth and outspoken George, and he regards her as putting on airs. But as George and Simone find out more about each other, they form a friendship, and George begins to fall in love with her. George agrees to risk his own life to help Simone find her teenage friend Cathy (Hardie), who has disappeared, and whom Simone fears is being abused by her violent former pimp, Anderson (Peters).
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02 / FACES IN THE FRAME

George

Mortwell

Simone

Thomas

Anderson

May

Cathy
Pimp