The Earrings of Madame de...
Why this pick
Ophuls brings the same exquisite, circling visual elegance to a doomed romantic triangle shaped by memory, social ritual, and feelings that cannot be safely spoken.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Ophuls brings the same exquisite, circling visual elegance to a doomed romantic triangle shaped by memory, social ritual, and feelings that cannot be safely spoken.
Why this pick
Its restrained period surfaces conceal a piercing study of idealized love, missed emotional chances, and the lifelong cost of choosing propriety over desire.
Why this pick
A deeply subjective, quietly devastating account of an ordinary woman overwhelmed by a love she knows cannot fit into her life, told with remarkable tenderness and restraint.
Why this pick
Its ravishingly controlled images and unhurried rhythm turn withheld attraction, repetition, and private longing into a romantic tragedy of extraordinary intimacy.
Why this pick
This elegant, melancholy period drama views adult desire through recollection, capturing how one youthful encounter can become an inescapable emotional wound.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
In Vienna in the early twentieth century, Lisa (Joan Fontaine), a teenager living in an apartment building, becomes fascinated by a new tenant, concert pianist Stefan Brand (Louis Jourdan). Stefan is making a name for himself through energetic performances. Lisa becomes obsessed with Stefan, staying up late to listen to him play, and sneaking into his apartment and admiring him from a distance. Despite her actions, they only meet once and Stefan takes little notice of her.
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02 / FACES IN THE FRAME
Concierge

Lisa Berndle

Stefan Brand
John
Herr Kastner