Monsieur Hulot's Holiday
Why this pick
Tati expands the gentle, nearly dialogue-free visual comedy of Jour de Fête into a seaside ensemble, with patient observation, precise sound gags, and affection for everyday social chaos.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Tati expands the gentle, nearly dialogue-free visual comedy of Jour de Fête into a seaside ensemble, with patient observation, precise sound gags, and affection for everyday social chaos.
Why this pick
Its wandering, good-hearted hero and meticulously choreographed neighborhood comedy preserve Jour de Fête’s warmth, while contrasting an idiosyncratic old quarter with impersonal modern efficiency.
Why this pick
For the same pleasure in watching a bustling world rather than following plot: elaborate wide-frame compositions, layered sound, and comic mishaps turn modern city routines into visual music.
Why this pick
This playful final Tati feature returns to the fairground spirit of Jour de Fête, using circus acts, audience participation, and light visual invention instead of conventional storytelling.
Why this pick
A small-town benefit becomes a warmly observed chain of public embarrassments. Its community ensemble and escalating comic disorder share Tati’s fondness for social ritual, though with a sharper satirical edge.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
On a public holiday, the village square hosts a little travelling fair and cinema tent. Among the locals introduced is François, the amiable and bumbling mailman, who everybody likes but nobody takes seriously. Marcel and Roger, the two men running the fair, make him their butt and get him drunk. In the cinema tent, people watch a spoof documentary about the unbelievable efficiency of the US postal service, comparing it with antiquated French methods. They decide that François must get up to date and, although he only has a bicycle, must start using transatlantic dash in his delivery. In the end, exhausted by his frantic efforts, he stops to help a family pitchfork their new-mown hay into a horse-drawn cart.
Showing saved details. Some information may be out of date.