Day for Night
Why this pick
A warm, agile portrait of filmmaking where on-set mishaps, shifting affections, and professional improvisation become the drama—sharing Irma Vep’s affection for cinema as a precarious collective act.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A warm, agile portrait of filmmaking where on-set mishaps, shifting affections, and professional improvisation become the drama—sharing Irma Vep’s affection for cinema as a precarious collective act.
Why this pick
Its stalled film production turns into an acidic chamber piece about ego, boredom, alliances, and exploitation, with the same fascination for creative work becoming a chaotic social performance.
Why this pick
A suspended shoot leaves artists stranded between ambition and collapse; its cool black-and-white mood and self-aware filmmaking make a strong match for Irma Vep’s melancholy cinephilia.
Why this pick
A scrappy independent production unravels through technical disasters and volatile personalities. It is broader and more comic than Irma Vep, but equally alert to the absurdity and fragility of making movies.
Why this pick
A director’s artistic paralysis is rendered as playful, fluid meta-cinema, blending creative anxiety, performance, and fantasy in a way that anticipates Irma Vep’s porous line between life and film.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
An actress, Maggie Cheung, playing a fictional version of herself, is cast in a remake of "Les vampires," but petty intrigues and clashing egos plague the production proving that she may be right for the role.
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02 / FACES IN THE FRAME

Herself

René Vidal

Zoé

Journalist

Laure

Desormeaux

Maïté

L'américaine