Lovely & Amazing
Why this pick
Its mother-and-daughters ensemble brings the same compassionate eye to insecurity, body image, romantic mistakes, and family cruelty softened by genuine affection.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its mother-and-daughters ensemble brings the same compassionate eye to insecurity, body image, romantic mistakes, and family cruelty softened by genuine affection.
Why this pick
A polished, intimate ensemble comedy-drama in which women at different life stages find candor and renewal through one another, with a similarly comforting emotional payoff.
Why this pick
A strained family reunion unfolds with humor and bruised tenderness. Its flawed women, withheld history, and eventual emotional openness echo In Her Shoes’ family-reconciliation appeal.
Why this pick
For the adult, conversational humor and humane character writing: it treats romantic uncertainty and female friendship with the same unsentimental warmth and wit.
Why this pick
Its decades-spanning female friendship has the same blend of bickering, loyalty, and heartfelt catharsis, though with a more openly melodramatic emotional register.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
Maggie (Cameron Diaz) and Rose Feller (Toni Collette) are sisters with nothing in common but their shoe size. They were raised by their father Michael (Ken Howard) and stepmother (Candice Azzara) after their mother Caroline died in a car accident. Rose is the eldest; an ostensibly plain and serious lawyer who is protective of Maggie despite her flaws. Maggie is a free spirit who is unable to hold a steady job (due to her virtual inability to read) and turns to alcohol and men for emotional and financial support. Rose grudgingly allows Maggie to move in with her in her Rittenhouse Square apartment in Philadelphia when their stepmother throws her out of the house. Their already difficult relationship ends when Rose catches Maggie in bed with Jim (Richard Burgi), her boyfriend. This leads to an argument in which Rose berates Maggie about her inability to read, and taunts her saying that she couldn't even spell Jim's name, when Maggie calls her sister a 'fat pig'. This apparently becomes the last straw for Rose, and she tries to choke Maggie. Both of them cry, and Maggie subsequently disappears from Rose's life.
Showing saved details. Some information may be out of date.
02 / FACES IN THE FRAME
Lawyer
Rose's Assistant
Lewis Feldman
My Marcia
Canal House Guy
Bartender
Cuervo Carl

Diner Waitress