The Wonders
Why this pick
Like I Am Not a Witch, it observes a young girl navigating an adult-made ritual world with dry absurdity, patient pacing, and a luminous visual distance that makes social rules feel both ordinary and surreal.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like I Am Not a Witch, it observes a young girl navigating an adult-made ritual world with dry absurdity, patient pacing, and a luminous visual distance that makes social rules feel both ordinary and surreal.
Why this pick
Its restrained young protagonist moves through a community shaped by inherited belief and quiet cruelty, blending deadpan folkloric strangeness with a humane, sharply observant critique of power.
Why this pick
Its child’s-eye emotional logic and Ghanaian setting combine social reality with fable-like imagery. It shares I Am Not a Witch’s willingness to let symbolism, landscape, and grief speak without over-explaining.
Why this pick
This stark, hypnotic anti-colonial fable similarly uses ritual, myth, and austere imagery to expose exploitation. Its measured storytelling trusts atmosphere and moral unease rather than conventional dramatic release.
Why this pick
For its coolly composed scrutiny of communal punishment and adult authority, this offers a harsher historical counterpart: an isolated society where children absorb the violence hidden inside respectable rules.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
A serious little girl shows up in a village and is quickly accused of being a witch. When she refuses to answer questions confirming or denying she is a witch she is brought to a witch doctor who sacrifices a chicken to determine whether she is a witch or not.
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02 / FACES IN THE FRAME
Josephine