Greetings
Why this pick
De Palma’s earlier, similarly anarchic satire shares Hi, Mom!’s countercultural New York energy, loose sketch-like construction, and gleefully abrasive comedy.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
De Palma’s earlier, similarly anarchic satire shares Hi, Mom!’s countercultural New York energy, loose sketch-like construction, and gleefully abrasive comedy.
Why this pick
A ferocious independent satire with deliberately disruptive style, deadpan absurdity, and an anti-establishment bite closely aligned with the irreverent spirit of Hi, Mom!.
Why this pick
This cult downtown comedy matches the era’s scruffy, provocative sensibility: broad absurdism, sexual satire, and a fearless willingness to let jokes become strange and abrasive.
Why this pick
More polished but comparably sharp, it turns American spectacle into dry, disquieting comedy, sustaining the same satirical interest in performance and institutional hypocrisy.
Why this pick
For Hi, Mom!’s formally unruly counterculture side, this fractured, self-reflexive anti-Hollywood experiment offers a similarly confrontational and playful attack on spectatorship.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
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02 / FACES IN THE FRAME

Jon Rubin
Judy Bishop

Jeannie Mitchell
Andy Mitchell

Uncle Tom Wood

Joe Banner

Superintendent

Gerrit Wood