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Why this pick
De Palma’s brash follow-up shares Greetings’ loose, countercultural energy, Robert De Niro’s restless comic presence, and its gleefully abrasive mix of sexual satire, amateur filmmaking, and social provocation.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
De Palma’s brash follow-up shares Greetings’ loose, countercultural energy, Robert De Niro’s restless comic presence, and its gleefully abrasive mix of sexual satire, amateur filmmaking, and social provocation.
Why this pick
Its off-kilter comic timing, anti-establishment impulse, and playful formal disruptions extend the irreverent New York-era sensibility of Greetings, while remaining a distinctly oddball studio detour.
Why this pick
This has the same late-1960s underground bite: a fast, anarchic satire of sex, commerce, race, and media, delivered with intentionally ragged energy rather than conventional polish.
Why this pick
A cult New York comedy with a comparable underground looseness, sexual absurdity, and pop-art playfulness; its shaggy structure and comic audacity should suit the experimental side of Greetings.
Why this pick
If Greetings’ self-conscious filmmaking and counterculture messiness are the draw, Hopper’s radical, collage-like movie offers an even more confrontational experiment in movies, mythmaking, and fractured reality.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
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02 / FACES IN THE FRAME

Jon Rubin

Lloyd Clay