A Promise
Why this pick
A restrained pre-war European romance built from letters, absences and longing; its elegant period textures and delicate emotional withholding closely suit Frantz.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A restrained pre-war European romance built from letters, absences and longing; its elegant period textures and delicate emotional withholding closely suit Frantz.
Why this pick
Its French-German friendship and love triangle unfold with melancholy, literary grace and an acute awareness of how war reshapes intimate bonds.
Why this pick
A young woman’s postwar search sustains a romantic, mournful mystery, pairing ravishing period imagery with the persistent ache of grief and uncertain memory.
Why this pick
Like Frantz, it favors composed frames, classical music and unspoken feeling over melodrama, tracing bereavement and desire with hushed, devastating precision.
Why this pick
A postwar German chamber drama of identity, trauma and impossible reunion, rendered with cool restraint and a steadily tightening emotional tension.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
In Quedlinburg, Germany, in 1919, Anna, a German woman (Paula Beer) grieving over the death of her fiancé, Frantz Hoffmeister, in World War I, leaves flowers at his grave. She sees Adrien (Pierre Niney), a Frenchman, also leave flowers at his grave. Adrien goes to the home of Frantz's parents, Dr. Hans and Magda Hoffmeister, and tries to speak to Hans, but when Hans hears that Adrien is French, he tells Adrien that a Frenchman killed his son and, calling the French murderers, drives Adrien away. Adrien tells Hans, "You are right. I am a murderer". Anna meets Adrien and invites him to the Hoffmeister home. After she tells the Hoffmeisters that Adrien was leaving flowers at Frantz's grave, they relent. Around the dinner table, upon questioning, Adrien says that he and Frantz were students together in Paris. He describes their last day together, when they visited the Louvre. In the flashbacks, there is a strong suggestion that the two were lovers. Anna shows Adrien the places she and Frantz used to go together, and the mountaintop where he asked her to marry him. Adrien lifts Anna (and the Hoffmeisters) out of their despair. The Hoffmeisters ask Adrien, who was a first violinist in Paris before the war, to play Frantz's violin for them, as Frantz used to do. Adrien asks Anna to go to the ball with him and she accepts.
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02 / FACES IN THE FRAME

Anna

Adrien Rivoire
Doctor Hoffmeister

Kreutz

Frantz Hoffmeister
Adrien's Mother
German Cemetery Caretaker

Young Drunk