CINEHUNCH / YOUR NEXT CHAPTER

A FRESH ALLOWANCE AT MIDNIGHT · ISTANBUL TIME

Back to the finderTHE FILM / 1955
Floating Clouds posterA FILM WORTH A CLOSER LOOK

THE FEATURE PRESENTATION

MOVIE1955 2h 3m JPN

IF THIS ONE STAYED WITH YOU

Movies like
Floating Clouds

Drama
IMDbView on IMDb
CINEHUNCH / THE NEXT FRAME

Keep the feeling.

SIMILAR PICKS / A PERSONAL CONNECTION

If you loved Floating Clouds, try these.

When a Woman Ascends the Stairs poster 01

Movie / 1960 / Drama

When a Woman Ascends the Stairs

Why this pick

Naruse again observes a woman negotiating love, money and dignity with the same unsentimental tenderness, restrained pacing, and quietly crushing awareness of limited choices.

Yearning poster 02

Movie / 1964 / Drama

Yearning

Why this pick

Its widowed heroine and forbidden attachment carry Floating Clouds’ ache of emotional dependence, social constraint, and feelings that remain powerful precisely because they are held in check.

The Insect Woman poster 03

Movie / 1963 / Drama

The Insect Woman

Why this pick

A tougher, earthier portrait of a woman repeatedly exploited by men and circumstance, driven by the same postwar disillusionment and refusal to sentimentalize survival.

The Life of Oharu poster 04

Movie / 1952 / Drama

The Life of Oharu

Why this pick

Mizoguchi’s flowing, mournful chronicle of a woman damaged by desire and social systems shares the tragic romantic weight and compassionate attention to female endurance.

The River Fuefuki poster 05

Movie / 1960 / Drama

The River Fuefuki

Why this pick

Its long view of ordinary lives weathered by history offers a similarly melancholy Japanese visual sensibility, where private longing is inseparable from war’s aftermath.

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01 / THE STORY

A little about the film.

The film follows Yukiko Koda, a woman who has just returned to Japan from French Indochina, where she has been working as a secretary. Yukiko seeks out Kengo, with whom she had an affair in Da Lat during the war. They renew their affair, but Kengo tells Yukiko he is unable to leave his wife. Brightly lit flashbacks of their time in Indochina contrast with the sombre tones of the film's present.