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A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
01
Why this pick
Angelopoulos’s drifting, painterly road odyssey shares the long takes, wintry melancholy, and porous boundary between harsh reality and poetic imagination that shape Eternity and a Day.
02
Why this pick
A meditative Balkan journey rendered in monumental long takes, where personal memory, exile, and history accumulate with the same elegiac, time-suspended force.
03
Why this pick
Its ravishingly composed images and deliberate movement through love, displacement, and national memory extend Angelopoulos’s solemn, lyrical sense of lives carried along by history.
04
Why this pick
Jia’s patient observation of ordinary people amid a disappearing landscape offers a similarly quiet confrontation with impermanence, separation, and the ache of places about to vanish.
05
Why this pick
Tarkovsky matches the film’s contemplative tempo and dreamlike memory-work, turning an exile’s loneliness into tactile, rain-soaked images of spiritual and emotional dislocation.
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01 / THE STORY
Alexandros (Bruno Ganz), a middle-aged bearded writer, leaves his seaside apartment in Thessaloniki after learning he has a terminal illness and must enter a hospital the next day to perform more tests. He is trying to get his affairs in order and to find someone who would take care of his dog. He speaks in his mind to his dead wife, Anna (Isabelle Renauld), who appears still young to him.
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02 / FACES IN THE FRAME
The Poet
Alexandre
Anna
