Howards End
Why this pick
Like Enchanted April, it observes English social restraint with tenderness, then lets landscape, houses and unexpected connections expose emotional possibilities.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like Enchanted April, it observes English social restraint with tenderness, then lets landscape, houses and unexpected connections expose emotional possibilities.
Why this pick
Its sunlit Italian escape gently unsettles a constrained Englishwoman’s expectations, balancing romantic awakening, wit and ravishing period atmosphere.
Why this pick
A secluded estate gradually becomes a place of recovery and renewed connection, with the same restorative pleasure in nature, light and emotional thawing.
Why this pick
This quiet, exquisitely humane story finds hope in small exchanges between lonely people; its patient warmth and delicate emotional shifts echo Enchanted April’s generosity.
Why this pick
An Italian change of scene becomes a buoyant path toward friendship and self-renewal, offering a more contemporary but similarly picturesque emotional holiday.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
Elizabeth von Arnim's novel tells of four dissimilar women in 1920s England who leave their rainy, grey environments to go on holiday in Italy. Mrs Arbuthnot and Mrs Wilkins, who belong to the same ladies' club, but have never spoken, become acquainted after reading a newspaper advertisement for a small medieval castle on the shores of the Mediterranean to be let furnished for the month of April. They find some common ground in that both are struggling to make the best of unhappy marriages. Having decided to seek other ladies to help share expenses, they reluctantly take on the elegant but peevish elderly Mrs Fisher, and the stunning, aloof, and very wealthy Lady Caroline Dester. The four women come together at the castle and, after many unexpected twists and turns, find rejuvenation in the tranquil beauty of their surroundings, rediscovering hope and love.
Showing saved details. Some information may be out of date.
02 / FACES IN THE FRAME

Lottie Wilkins

George Briggs

Frederick Arbuthnot

Mrs. Fisher

Caroline Dester

Rose Arbuthnot

Mellersh Wilkins