CINEHUNCH / YOUR NEXT CHAPTER

A FRESH ALLOWANCE AT MIDNIGHT · ISTANBUL TIME

Back to the finderTHE FILM / 1955
Diabolique posterA FILM WORTH A CLOSER LOOK

THE FEATURE PRESENTATION

MOVIE1955 1h 57m FRA

IF THIS ONE STAYED WITH YOU

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Diabolique

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CINEHUNCH / THE NEXT FRAME

Keep the feeling.

SIMILAR PICKS / A PERSONAL CONNECTION

If you loved Diabolique, try these.

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Bad Girls

Why this pick

Chabrol turns an intimate triangle into a poised, poisonous psychological game, with the same cool control, shifting loyalties, and quietly escalating dread that make Diabolique so unnerving.

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Movie / 1960 / Crime / Drama

The Housemaid

Why this pick

A domestic setting becomes a pressure cooker of desire, resentment, and manipulation. Its boldly stylized cruelty and mounting unease echo Diabolique's fascination with private lives curdling into danger.

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The Innocents

Why this pick

Its immaculate old house, restrained performances, and deliberate ambiguity create a similarly refined atmosphere of dread, letting small details and unstable perceptions do the frightening work.

The Girl with the Dragon Tattoo poster 04

Movie / 2009 / Crime / Drama / Thriller

The Girl with the Dragon Tattoo

Why this pick

Its investigation is driven by patient accumulation rather than action, pairing chilly atmosphere with the gradual exposure of cruelty hidden behind respectable surfaces.

The Vanishing poster 05

Movie / 1988 / Horror / Thriller

The Vanishing

Why this pick

A model of controlled suspense: ordinary settings, lucid storytelling, and a steadily tightening moral chill. It shares Diabolique's confidence that the most disturbing revelations need no embellishment.

CURATING YOUR NEXT FRAME

Finding the atmosphere, tension and little details that made this one stay with you.

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01 / THE STORY

A little about the film.

A second-rate boarding school in Saint-Cloud, Hauts-de-Seine, Delassalle also has a relationship with Nicole Horner, another teacher at the school. Rather than antagonism, the two women are shown to have a somewhat close relationship, primarily based on their apparent mutual hatred of Michel, who is physically and emotionally abusive to both, as well as unkind to the children.

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02 / FACES IN THE FRAME

The people who bring it to life.

Michel Serrault

Michel Serrault

M. Raymond, le surveillant

Georges Poujouly

Georges Poujouly

Soudieu, un élève

Jean Lefebvre

Jean Lefebvre

Soldier

Charles Vanel

Alfred Fichet, le commissaire

Robert Dalban

Robert Dalban

Le garagiste

Jacques Hilling

L'employé de la morgue

Simone Signoret

Simone Signoret

Nicole Horner

Paul Meurisse

Paul Meurisse

Michel Delassalle