CINEHUNCH / YOUR NEXT CHAPTER

A FRESH ALLOWANCE AT MIDNIGHT · ISTANBUL TIME

Back to the finderTHE FILM / 1933
Design for Living posterA FILM WORTH A CLOSER LOOK

THE FEATURE PRESENTATION

MOVIE1933 1h 31m USA

IF THIS ONE STAYED WITH YOU

Movies like
Design for Living

ComedyRomance
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CINEHUNCH / THE NEXT FRAME

Keep the feeling.

SIMILAR PICKS / A PERSONAL CONNECTION

If you loved Design for Living, try these.

Trouble in Paradise poster 01

Movie / 1932 / Comedy / Crime

Trouble in Paradise

Why this pick

Lubitsch brings the same champagne-dry dialogue, cosmopolitan glamour, and erotic lightness to a love triangle played as a game of manners and mutually admired deception.

Midnight poster 02

Movie / 1939 / Comedy

Midnight

Why this pick

A sparkling Parisian comedy of imposture and romantic maneuvering, with a poised heroine and precisely calibrated dialogue that echo Design for Living’s worldly playfulness.

The Awful Truth poster 03

Movie / 1937 / Comedy / Drama

The Awful Truth

Why this pick

The romantic combat is buoyant rather than bitter: stylish adults use jealousy, performance, and social rituals as weapons in a deliriously civilized battle.

Ninotchka poster 04

Movie / 1939 / Comedy

Ninotchka

Why this pick

Another Lubitsch romance where verbal fencing and cultural polish make the attraction feel earned; it shares the earlier film’s confidence in intelligent, sexually self-possessed adults.

Easy Living poster 05

Movie / 1937 / Comedy

Easy Living

Why this pick

This rapid screwball fantasy pairs glossy high society with a heroine who stays resourceful amid male assumptions, preserving the buoyant, anti-respectability spirit of Design for Living.

CURATING YOUR NEXT FRAME

Finding the atmosphere, tension and little details that made this one stay with you.

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01 / THE STORY

A little about the film.

While en route to Paris via train, commercial artist Gilda Farrell meets artist George Curtis and playwright Thomas Chambers, fellow Americans who share an apartment in the French capital. Gilda works for advertising executive Max Plunkett, who has had no success in his efforts to engage her in a romantic relationship. Tom and George each realize the other is in love with Gilda, and although they agree to forget her, they cannot resist her when she comes to visit. Unable to choose between the two, she proposes she live with them as a friend, muse, and critic—with the understanding they will not have sex.

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02 / FACES IN THE FRAME

The people who bring it to life.

Gary Cooper

Gary Cooper

George Curtis

Edward Everett Horton

Edward Everett Horton

Max Plunkett

Jane Darwell

Jane Darwell

Curtis' Housekeeper

Franklin Pangborn

Mr. Douglas, Theatrical Producer

Fredric March

Fredric March

Thomas B. 'Tom' Chambers

Isabel Jewell

Plunkett's Stenographer