The Beyond
Why this pick
Fulci again builds an oneiric, doom-soaked nightmare around a gateway to the afterlife, with baroque decay, abrupt supernatural shocks, and a logic that feels like a fever dream.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Fulci again builds an oneiric, doom-soaked nightmare around a gateway to the afterlife, with baroque decay, abrupt supernatural shocks, and a logic that feels like a fever dream.
Why this pick
Its crumbling house, cursed past, and mounting sense of inescapable evil closely match the oppressive Gothic atmosphere and lurid practical-horror intensity of City of the Living Dead.
Why this pick
A sealed Gothic church becomes a portal for unleashed evil in this visually extravagant Italian nightmare, balancing religious dread, surreal imagery, and escalating carnage.
Why this pick
For a similarly Italian vision of the undead, it trades Fulci's bleak terror for morbid romance and black comedy while retaining cemetery fog, dream logic, and sumptuous macabre imagery.
Why this pick
This grim European zombie film shares the graveyard atmosphere, apocalyptic fatalism, and tactile gore, with an especially strong sense that the dead have invaded ordinary life.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
A reporter and a psychic race to close the Gates of Hell after the suicide of a clergyman caused them to open, allowing the dead to rise from their graves.
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02 / FACES IN THE FRAME
Mary Woodhouse
Tommy Fisher
Peter Bell
Bob

Mr. Ross

Sheriff Russell
John-John Robbins