The Happiness of the Katakuris
Why this pick
A wildly tonal, death-haunted black comedy with a similarly eccentric household, grotesque invention, and a cheerful willingness to turn the macabre into surreal farce.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A wildly tonal, death-haunted black comedy with a similarly eccentric household, grotesque invention, and a cheerful willingness to turn the macabre into surreal farce.
Why this pick
Its decaying rural atmosphere, deadpan encounters with the resurrected, and grimy European genre texture echo Cemetery Man’s romanticized morbidity.
Why this pick
For the same dream-logic, operatic gore, and tragicomic outsider sensibility: horror becomes a lush, unstable journey through obsession and death.
Why this pick
A funeral-industry setting gives this supernatural chiller the intimate proximity to death that Cemetery Man makes so mordantly strange.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Francesco Dellamorte (Rupert Everett) is the cemetery caretaker in the small Italian town of Buffalora. He lives in a ramshackle house on the premises, constantly surrounded by death, with only his Mental retardation assistant Gnaghi (François Hadji-Lazaro) for company. Young punks in town spread gossip that Dellamorte is Erectile dysfunction. His hobbies are reading outdated telephone directories, in which he crosses out the names of the deceased, and trying to assemble a puzzle shaped like a human skull. Gnaghi, whose interests include spaghetti and television, can speak only one word: "Gna."
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02 / FACES IN THE FRAME

Francesco Dellamorte
She
Mayor Scanarotti
Marshall Straniero