Summer Hours
Why this pick
A gently observed family gathering where an inherited house and its artworks bring quiet questions of memory, taste, and what children carry forward.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A gently observed family gathering where an inherited house and its artworks bring quiet questions of memory, taste, and what children carry forward.
Why this pick
Its late-summer light, unhurried encounters, and delicate attention to fleeting emotional shifts echo Tavernier’s bittersweet sense of time briefly opening up.
Why this pick
A relaxed coastal summer becomes a precise, humane study of indecision and unexpected connection, with the same pleasure in small gestures and changing moods.
Why this pick
Though centered on younger characters, its sunlit countryside and tactile, quietly turbulent intimacy share the original’s feeling of a season altering family certainties.
Why this pick
A beautifully composed period drama in which a languid country-house summer gradually reveals adult tensions, seen through the sensitive perspective of a child.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The story takes place during a Sunday in the late summer of 1912. Monsieur Ladmiral is a painter without any real genius and in the twilight of his life. Since the death of his wife, he lives alone with Mercedes, his servant. As every Sunday, he invites Gonzague, his son, a steady young man, who likes order and propriety, accompanied by his wife, Marie-Thérèse and their three children, Emile, Lucien and Mireille. That day, Irène, Gonzague's sister, a young non-conformist, liberated and energetic woman, upsets this peaceful ritual and calls into question her father's artistic choices.
02 / FACES IN THE FRAME
Gonzague
Monsieur Ladmiral

Marie-Thérèse

Irène
Mercédès