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A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
01
Why this pick
Like Pialat’s film, it studies sexual freedom, romantic cruelty and emotional confusion with startlingly unvarnished intimacy, letting awkward conversations and unstable attachments accumulate rather than offering easy judgment.
02
Why this pick
A teenage heroine tests adulthood through sex, theft and escape in a provincial France observed without sentimentality. Its directness and uneasy mix of vulnerability, defiance and social constraint closely suit À nos amours.
03
Why this pick
Breillat’s abrasive coming-of-age portrait shares Pialat’s refusal to soften adolescent desire or family discomfort. It is similarly intimate, bodily and confrontational, centered on a young woman’s difficult self-discovery.
04
Why this pick
Its talkier, more composed style differs, but Rohmer shares Pialat’s fascination with desire colliding with self-image and moral posturing. The emotional tension comes from candid observation rather than plot mechanics.
05
Why this pick
Téchiné brings a more lyrical touch, yet this is another acute French portrait of adolescents negotiating desire, family tension and political uncertainty, with performances that preserve the raw instability of growing up.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Suzanne, a 15-year-old Paris girl, lives with her volatile, abusive family: her furrier parents and older brother Robert, a writer. She's dating a boy named Luc, who complains about not seeing her as much as he would like. At a cafe, Suzanne mingles with sailors and an American visitor. She and the American head outdoors and have sex, though the experience leaves her miserable. She tells a friend she regrets her unfaithfulness to Luc, but she breaks up with him and becomes increasingly sexual promiscuity. Her father is close to Suzanne but reacts with suspicion and violence when Suzanne goes on a double date with her cousin Solange. When Suzanne returns, her father expresses concern with her changing demeanor, saying she smiles less and seems increasingly bored. He also discloses he has found another woman and is planning to leave the family.
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02 / FACES IN THE FRAME
Suzanne
Robert
Bernard
