F for Fake
Why this pick
A nimble, mischievous essay-film about performance, authorship, and belief, delivered with the same delight in blurring documentary authority and invention.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A nimble, mischievous essay-film about performance, authorship, and belief, delivered with the same delight in blurring documentary authority and invention.
Why this pick
This witty faux-documentary investigation invents a lost Hollywood history while using archival textures to question who gets remembered and how identities are constructed.
Why this pick
A sharply observed mockumentary whose news footage, interviews, and campaign imagery create the same convincing satirical realism beneath its comic surface.
Why this pick
Its self-conscious home-movie form turns a man’s attempt to document himself into a dry, inventive study of persona, self-mythology, and unreliable images.
Why this pick
The affectionate mockumentary format lets tiny social performances and carefully observed interview details generate comedy, much like Zelig’s cultural impersonations.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Set in the 1920s and 1930s, the film concerns Leonard Zelig (Woody Allen), a nondescript man who has the ability to transform his appearance to that of the people who surround him. He is first observed at a party by F. Scott Fitzgerald, who notes that Zelig related to the affluent guests in a refined Boston accent and shared their Republican sympathies, but while in the kitchen with the servants, he adopted a coarser tone and seemed to be more of a Democrat. He soon gains international fame as a "human chameleon".
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02 / FACES IN THE FRAME

Leonard Zelig

Dr. Eudora Nesbitt Fletcher

The Narrator (voice)
Glandular Diagnosis Doctor
Other Doctor
Sister Ruth
Woman on Telephone
Charles Koslow