The Fountain
Why this pick
Like What Dreams May Come, it turns devotion in the face of mortality into an expansive, highly visual spiritual odyssey, moving through grief with dreamlike imagery rather than realism.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like What Dreams May Come, it turns devotion in the face of mortality into an expansive, highly visual spiritual odyssey, moving through grief with dreamlike imagery rather than realism.
Why this pick
Its imagined afterlife is rendered with vivid, painterly beauty while staying anchored in a family’s sorrow, echoing the emotional contrast between loss and transcendent hope.
Why this pick
A more minimalist companion: it uses an otherworldly perspective to examine enduring love, bereavement, and the painful passage of time with hushed visual poetry.
Why this pick
Its warm fantasy visuals and tender emotional core similarly use imaginative worlds to approach death, reconciliation, and the sustaining power of love.
Why this pick
This is another earnest, faith-inflected fantasy drama in which devastating family grief opens into a metaphysical space of forgiveness, healing, and renewed connection.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
While vacationing in Switzerland, pediatrician Chris Nielsen (Robin Williams) meets artist Annie Collins (Annabella Sciorra). They are attracted to each other, and bond as if they had known each other for a long time. They marry and have two children, Ian (Josh Paddock) and Marie (Jessica Brooks Grant). Their idyllic life ends when the children die in a car crash. Life becomes difficult: Annie suffers a mental breakdown, and the couple contemplates divorce, but they manage through their losses.
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02 / FACES IN THE FRAME

Chris Nielsen

Annie Collins-Nielsen

Albert Lewis

The Tracker

Leona

Mrs. Jacobs
Reverend Hanley
Marie Nielsen