cinehunch
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
01
Why this pick
Like Vivre Sa Vie, it follows a young Parisian woman through a precisely structured day, using street life, pop culture, and intimate observation to turn uncertainty into a quietly piercing portrait.
02
Why this pick
Its stark close-ups, chapter-like divisions, and unresolved emotional distance echo Godard’s formal clarity, while a troubled woman remains difficult, vulnerable, and never reduced to easy explanation.
03
Why this pick
A rigorously composed study of a woman trying to detach from life, with fragmentary encounters, expressive sound, and visual restraint that create emotional force without conventional melodrama.
04
Why this pick
For the observational patience and social attention behind Nana’s story: an exacting, radical portrait of female labor, isolation, and routine whose formal discipline makes every small rupture resonate.
05
Why this pick
Bresson’s austere framing and refusal of sentimentality give this young woman’s ordeal the same bracing moral gravity and emotional reserve that make Vivre Sa Vie so haunting.
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01 / THE STORY
Nana (Anna Karina), a beautiful Parisian in her early twenties, leaves her husband and infant son hoping to become an actress. Without money, beyond what she earns as a shopgirl, and unable to enter acting, she elects to earn better money as a prostitute. Soon she has a pimp, Raoul, who after an unspecified period agrees to sell Nana to another pimp. During the exchange the pimps argue and Nana is killed in a gun battle. Nana's short life on film is told in 12 brief episodes each preceded by a written intertitle.
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02 / FACES IN THE FRAME
Elisabeth
Jeune Homme
Journaliste
Raoul
