Maurice
Why this pick
Like Victim, it places a gay man’s private life against rigid English respectability, but trades courtroom pressure for a patient, exquisitely restrained coming-of-age romance.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like Victim, it places a gay man’s private life against rigid English respectability, but trades courtroom pressure for a patient, exquisitely restrained coming-of-age romance.
Why this pick
A sharp British social drama where queer desire, family expectation and public identity collide, with more working-class energy but the same alertness to what society permits people to admit.
Why this pick
Its intimate, naturalistic focus on two men negotiating candour and self-protection carries forward Victim’s concern with the cost of being seen, in a quieter and more contemporary register.
Why this pick
Another 1961 drama of reputation, fear and institutional judgment, built around the devastating consequences of a socially forbidden truth rather than melodramatic sensationalism.
Why this pick
It shares Victim’s precisely observed early-1960s London and polished surfaces, while turning concealed desire and social performance into a cool, claustrophobic battle for control.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
A successful barrister, Melville Farr (Dirk Bogarde) has a thriving London practice. He is on course to become a Queen's Counsel and people are already talking of his being appointed a judge. He is apparently happily married to his wife, Laura (Sylvia Syms).
Showing saved details. Some information may be out of date.
02 / FACES IN THE FRAME
Phip

Jack Barrett
Inspector Harris
Henry

Laura Farr
Calloway
Lord Charles Fullbrook
Harold Doe