Carnival of Souls
Why this pick
Its spare, dream-logic journey through lonely spaces and unnerving figures sustains the same haunted, dislocated atmosphere as Vampyr.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its spare, dream-logic journey through lonely spaces and unnerving figures sustains the same haunted, dislocated atmosphere as Vampyr.
Why this pick
A rigorously composed folk nightmare whose oppressive stillness, physical textures, and creeping unreality echo Dreyer’s spectral visual sensibility.
Why this pick
This wintry Finnish folktale uses stark monochrome landscapes and silent, uncanny ritual to create an oneiric vampire-adjacent mood.
Why this pick
Bergman turns insomnia and isolation into a procession of ambiguous visions, matching Vampyr’s feeling of being lost between waking life and nightmare.
Why this pick
Its rural setting and antique dread develop through strange images and a gradual corruption of village life rather than conventional shocks.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
On a late evening, Allan Gray arrives at an inn close to the village of Courtempierre and he rents a room to sleep. Gray is awakened suddenly by an old man, who enters the room and leaves a square packet on Gray's table; "To be opened upon my death" is written on the wrapping paper. Gray takes the package and walks outside. Shadows guide him to an old castle, where he sees the shadows dancing and wandering on their own. Gray also sees an elderly woman (later identified as Marguerite Chopin) and encounters another old man (later identified as the village doctor). Gray leaves the castle and walks to a manor. Looking through one of the windows, Gray sees the Lord of the manor, the same man who gave him the package earlier. The man is suddenly murdered by gunshot. Gray is let into the house by servants, who rush to the aid of the fallen man but it is too late to save him. The servants ask Gray to stay the night. Gisèle, the younger daughter of the now deceased Lord of the manor, takes Gray to the library and tells him that her sister, Léone, is gravely ill. Just then they see Léone walking outside. They follow her, and find her unconscious on the ground with fresh bite wounds. They have her carried inside. Gray remembers the parcel and opens it. Inside is a book about horrific demons called Vampyrs.
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02 / FACES IN THE FRAME
Gisèle