Baby Face
Why this pick
Like Three on a Match, it is a brisk, pre-Code Warner drama centered on a woman pursuing escape and power in a hard, unsentimental city.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like Three on a Match, it is a brisk, pre-Code Warner drama centered on a woman pursuing escape and power in a hard, unsentimental city.
Why this pick
This shares the nervy pre-Code pace, Joan Blondell’s streetwise warmth, and a seemingly ordinary woman drawn into danger by corrupt privilege.
Why this pick
A sleek, frank pre-Code portrait of sexual independence and executive power, with the same compressed melodrama and worldly Warner Bros. bite.
Why this pick
Barbara Stanwyck brings the same restless, socially mobile pre-Code heroine energy, balancing romance, hardship, and a fast-moving escape from the city.
Why this pick
Its fatalistic criminal underworld, tough heroine, and rapid emotional turns echo the dark trajectory beneath Three on a Match’s glamorous surface.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Three women who went to the same elementary school, Mary (Joan Blondell), Ruth (Bette Davis), and Vivian (Ann Dvorak), meet again as young adults after some time apart. They each light a cigarette from the same match and discuss Three on a Match (superstition) and that Vivian, the last to light her cigarette, will be the first to die.
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02 / FACES IN THE FRAME

Mary Keaton aka Mary Bernard
Naomi

Bobby
Mrs. Black

Ruth Wescott

Michael 'Mike' Loftus

Harve
Dick