Le Boucher
Why this pick
Chabrol again turns a seemingly placid provincial setting into a study of buried violence, using cool observation and a disquieting relationship rather than overt melodrama.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Chabrol again turns a seemingly placid provincial setting into a study of buried violence, using cool observation and a disquieting relationship rather than overt melodrama.
Why this pick
Its measured pace, bourgeois milieu and unnervingly matter-of-fact moral descent closely echo the cold precision and psychological pressure of This Man Must Die.
Why this pick
Another razor-sharp Chabrol portrait of class resentment and concealed hostility, unfolding with an icy, increasingly oppressive calm.
Why this pick
This shares the original’s obsession with pursuing an unbearable personal wrong, sustaining tension through patient psychology and disturbing moral resolve.
Why this pick
A grief-stricken family confronts revenge in a restrained, intimate drama whose power comes from silence, consequence and moral unease rather than action.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
When his young son is killed in a hit and run accident, Charles Thenier resolves to hunt down and murder the killer. By chance, Thenier makes the acquaintance of an actress, Helène Lanson, who was in the car at the time of the accident. He then meets Helène’s brother-in-law, Paul Decourt, a truly horrible individual.
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02 / FACES IN THE FRAME

Paul Decourt

Le premier inspecteur
Charles Thenier
Philippe Decourt
Hélène Lanson