The Class
Why this pick
Cantet’s immersive, semi-improvised realism again makes a group discussion space feel volatile, morally complex, and alive to social fracture.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Cantet’s immersive, semi-improvised realism again makes a group discussion space feel volatile, morally complex, and alive to social fracture.
Why this pick
A rigorously naturalistic French character study, built from awkward encounters and mounting institutional pressure rather than conventional dramatic release.
Why this pick
Its precise observational style and uneasy shifting power dynamics sustain the same sense of social estrangement and latent threat.
Why this pick
This raw, close-quartered drama finds tension in a troubled young man’s unpredictable behaviour and the fragile connections around him.
Why this pick
Östlund uses an observational, uncomfortable social experiment to expose group behaviour, manipulation, and the moral evasions of bystanders.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Olivia, a well-known Parisian novelist, runs a writing workshop with a group of young people in La Ciotat, in the South of France. She is particularly intrigued by Antoine, a taciturn and not very sociable, young man. Antoine makes writing proposals that others consider shocking, and becomes the "black sheep" of the group. Olivia and Antoine seek escape from their daily lives by immersing themselves in an extreme right-wing ideology, and develop a relationship that is marked by attraction and repulsion.
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02 / FACES IN THE FRAME

Olivia Dejazet

Antoine
Malika
Fadi
Étienne
Bouba
Benjamin
Lola