Purple Noon
Why this pick
This sun-drenched, elegant Patricia Highsmith adaptation shares Ripley’s intoxicating Mediterranean luxury, unstable impersonation, and coolly escalating moral dread, with a leaner and more fatalistic edge.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
This sun-drenched, elegant Patricia Highsmith adaptation shares Ripley’s intoxicating Mediterranean luxury, unstable impersonation, and coolly escalating moral dread, with a leaner and more fatalistic edge.
Why this pick
Guadagnino turns an Italian island holiday into a sensual chamber thriller, using beauty, privilege, desire, and old resentments to create the same simmering unease beneath dazzling surfaces.
Why this pick
Its exquisitely controlled interiors and shifting power game make social performance feel dangerous. Like Ripley, it finds menace in envy, class aspiration, and identities deliberately reshaped.
Why this pick
A ravishing Riviera setting, wealthy guests, erotic jealousy, and deliberate pacing create a similarly sleek, suffocating thriller where every relaxed gesture carries a threat.
Why this pick
Its lush design, period wealth, elaborate deception, and shifting allegiances offer a more baroque counterpart to Ripley: sensual, psychologically alert, and thrillingly invested in performance.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Tom Ripley is a young man struggling to make a living in 1950s New York City with his "talents": telling lies, forging signatures and impersonating people. While working at a party as a piano player, he is approached by wealthy shipbuilder Herbert Greenleaf, who mistakenly believes that Ripley attended Princeton University with his son, Dickie. Greenleaf recruits Ripley, for $1,000, to travel to Italy to persuade Dickie to return home. After the voyage while collecting his luggage, Ripley strikes up a friendship with an American socialite, Meredith Logue, and pretends to be Dickie.
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02 / FACES IN THE FRAME

Tom Ripley

Dickie Greenleaf

Marge Sherwood

Meredith Logue

Peter Smith-Kingsley

Freddie Miles

Herbert Greenleaf
Silvana