The Prowler
Why this pick
A bitter, lean noir about economic resentment and moral collapse, with an ordinary man pushed toward crime and trapped by the consequences.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A bitter, lean noir about economic resentment and moral collapse, with an ordinary man pushed toward crime and trapped by the consequences.
Why this pick
Shares the raw, socially conscious anger and escalating dread of a community confronting violence, corruption, and the cost of looking away.
Why this pick
A tense, street-level noir in which a decent ex-convict is dragged back toward criminality, shot with the same hard-edged realism and pressure.
Why this pick
Its financially strained family man makes one desperate compromise after another, building a similarly unsentimental portrait of masculine despair.
Why this pick
A fatalistic crime drama where money problems and damaged pride bind incompatible men together, steadily tightening toward disaster.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Howard Tyler (Frank Lovejoy) is a family man, living in California, who can't seem to get by financially. He meets up with a small-time, but charismatic, hood Jerry Slocum (Lloyd Bridges). Soon, Slocum convinces Tyler to participate in gas station robberies to get by. Later, they kidnap a wealthy man in hopes of getting a huge ransom. Things go wrong when the man is murdered by Slocum then thrown in a lake. Tyler reaches his limit emotionally, and he begins drinking heavily. He meets a lonely woman and confesses the crime while drunk. The woman flees and goes to the police.
02 / FACES IN THE FRAME
Judy Tyler
Gil Stanton
Velma
Howard Tyler

Jerry Slocum
Hal Clendenning