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A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
01
Why this pick
Guédiguian returns to the Marseille coast with the same humane, politically alert warmth: aging friends and siblings confront private wounds while the film quietly argues for solidarity.
02
Why this pick
Its working-class Marseille setting, unforced humor, and affectionate attention to everyday mutual aid closely echo the generous social conscience of The Snows of Kilimanjaro.
03
Why this pick
A lively, tender portrait of love and enterprise under economic and social pressure, balancing sharp class observation with buoyancy rather than despair.
04
Why this pick
A restrained French working-life drama whose close attention to dignity, compromise, and the impersonal cruelty of the job market shares Kilimanjaro’s moral seriousness.
05
Why this pick
Loach’s intimate family drama brings the same commitment to ordinary workers and structural injustice, with compassionate performances and a clear-eyed social perspective.
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01 / THE STORY
Michel (Jean-Pierre Darroussin), lives happily with Marie-Claire (Ariane Ascaride), his wife of nearly 30 years. A dedicated CGT (General Confederation of Labour (France)) trade unionist, he is charged with calling out the names in a draw in the shipyard to select who will be among the 20 workers to be made redundant. Though he did not need to place his own name in the bin, he did so and it is drawn, and so he loses his job along with the 19 others.
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02 / FACES IN THE FRAME
Marie-Claire
Michel
Raoul
Christophe
Denise
Flo
Gilles
le commissaire
