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A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
01
Why this pick
Like The Sentinel, it turns an imposing old residence into a vessel for grief, dread and escalating supernatural unease, using patient investigation and uncanny details rather than constant shocks.
02
Why this pick
A tightly contained, severe haunted-house nightmare with skeptical investigators, oppressive architecture and a steadily more hostile atmosphere that suits The Sentinel’s 1970s occult chill.
03
Why this pick
This slow-building 1970s chiller shares The Sentinel’s sense of a beautiful home becoming psychologically corrosive, blurring family strain, troubling visions and an inescapable supernatural presence.
04
Why this pick
Its alienating apartment building, intrusive neighbors and intensifying uncertainty echo The Sentinel’s urban paranoia, with a more surreal psychological spiral and similarly claustrophobic visual mood.
05
Why this pick
A deliberate modern homage to 1970s occult horror: it builds suspense through isolation, vulnerable perspective, period texture and mounting ritualistic dread rather than rushing to spectacle.
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01 / THE STORY
Alison Parker, a beautiful but severely Neuroticism fashion model, moves into a gorgeous Brooklyn brownstone house that has been divided into apartments. The house is inhabited on the top floor by Father Halliran, a reclusive blind priest who spends all of his time sitting at his open window. Alison begins having strange physical problems, including insomnia, and has some terrifying flashbacks of her attempted suicides. She complains to the real estate agent of the noise caused by her strange neighbors, only to be told that the house is occupied only by the priest and her. The behavior of her "non-existent" neighbors becomes increasingly surreal and disturbing.
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02 / FACES IN THE FRAME
Alison Parker
Michael Lerman
Charles Chazen
Jennifer
Gerde Engstrom
Sandra
Malcolm Stinnett
Rebecca Stinnett
