The Name of the Rose
Why this pick
A richly tactile medieval murder investigation, where religious authority, fear and forbidden knowledge turn a cloistered setting into a tense moral labyrinth.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A richly tactile medieval murder investigation, where religious authority, fear and forbidden knowledge turn a cloistered setting into a tense moral labyrinth.
Why this pick
Its 15th-century legal mystery shares The Reckoning’s blend of period grime, institutional cruelty and an outsider trying to reason through a troubling accusation.
Why this pick
A plague-ravaged medieval journey driven by suspicion and competing faiths, with the same harsh physical world and escalating moral unease.
Why this pick
A rigorous medieval drama about accusation and power, using shifting viewpoints to deepen the uncertainty and ethical tension around a public trial.
Why this pick
For the mud-and-blood medieval atmosphere and compromised loyalties: it is less investigative, but similarly unsentimental about violence, faith and survival.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
In 1380 England, the priest Nicholas (Paul Bettany) flees his village when found in flagrante delicto with a married woman. During flight he witnesses a group that has Euthanasia a member to give relief from his long recurring internal pain. He becomes known to the group and is captured. The group is a travelling acting troupe who think he is a robber and they explain the killing. Reluctantly, they allow him to join their troupe to replace the member killed. On their journey to the next town they are forced to travel to a new district after a collapsed bridge stops them taking their normal route and to mend the cart that carries their goods although they have no money. The troupe reach a strange town with castle under reconstruction and find a woman being sentenced to death for killing a boy upon the testimony of Benedictine Simon Damian (Ewen Bremner). The troupe perform a biblical passion play, but, as told by the group's leader Martin (Willem Dafoe), so few attend they are unable to bury the dead troupe member and fix their cart.
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02 / FACES IN THE FRAME

Tobias

Sarah

Lord De Guise

King’s Justice
The cuckold husband

Town Justice
Gravedigger

Lambert