State of Play
Why this pick
Like The Paper, it turns deadline journalism into a high-pressure civic machine, balancing newsroom rivalry, ethical stakes, and a rapidly developing investigation.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like The Paper, it turns deadline journalism into a high-pressure civic machine, balancing newsroom rivalry, ethical stakes, and a rapidly developing investigation.
Why this pick
Its combustible reporters, cynical editor, and frantic deadline rhythm make it a sharper, more caustic ancestor to The Paper’s affectionate newsroom bustle.
Why this pick
This shares The Paper’s procedural fascination with how a newsroom works, finding momentum and human tension in collaboration, verification, and stubborn reporting.
Why this pick
A taut, character-driven newsroom drama that similarly makes editorial pressure and professional loyalty feel immediate, while shifting toward a more morally uneasy tone.
Why this pick
For another funny, anxious workplace portrait where impossible deadlines collide with private lives, driven by lively banter and real affection for the people doing the job.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The film takes place during a 24-hour period. Henry Hackett (Michael Keaton) is the metro editor of the ''New York Sun'', a fictional New York City tabloid. He is a workaholic who loves his job, but the long hours and low pay are leading to discontent. He is at risk of experiencing the same fate as his editor-in-chief, Bernie White (Robert Duvall), who put his work first at the expense of his family.
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02 / FACES IN THE FRAME

Bernie White

Martha Hackett

Susan

Graham Keighley

Deanne White

Lou
Sarah Hackett
Anna