Populaire
Why this pick
A buoyant, stylized French romance driven by sparring personalities and an unconventional young woman refusing to fit expectations; its playful energy recalls Bahia’s irreverence.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A buoyant, stylized French romance driven by sparring personalities and an unconventional young woman refusing to fit expectations; its playful energy recalls Bahia’s irreverence.
Why this pick
Its handmade whimsy and romantically awkward protagonists offer a more dreamlike cousin to The Names of Love: politically less pointed, but equally inventive and emotionally open.
Why this pick
For Jacques Gamblin’s presence and contemporary French sensibility, this is a sharper, darker character piece about reinvention—less comic, but similarly attentive to adult lives shaped by past choices.
Why this pick
An energetic French romantic farce built around a determined heroine, escalating schemes, and changing assumptions about love; it matches the original’s breezy, mischievous momentum.
Why this pick
A gentle, eccentric love story in which two deeply guarded adults find a shared language. Its sweetness and comic delicacy echo the warmth beneath The Names of Love’s provocations.
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01 / THE STORY
The film is semi-biographical, documenting the life of a young woman who uses sex as a weapon to influence right-wing individuals and conservative Muslims. Bahia Benmahmoud (Sara Forestier), a scatter-brained, Freethought, young left-wing activist, sleeps with her political opposites in order to manipulate them to her cause, until she finds her match in Arthur Martin (Jacques Gamblin).
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02 / FACES IN THE FRAME

Bahia Benmahmoud

Arthur Martin

Mohamed Benmahmoud, le père de Bahia
Lucien Martin, le père d'Arthur

Cécile Benhmamoud, la mère de Bahia

Annette Martin, la mère d'Arthur
Annette à 30 ans
Bahia Benmahmoud enfant