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A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
01
Why this pick
Like The Missouri Breaks, this is a wintry, off-kilter Western where commerce, violence, and fragile alliances erode frontier mythmaking; its loose rhythms and melancholy visual texture make it a particularly close companion.
02
Why this pick
A bruised, elegiac revisionist Western with shifting loyalties and hired violence. Its sense that old friendships and outlaw codes are being quietly extinguished matches Arthur Penn’s skeptical frontier mood.
03
Why this pick
Walter Hill gives outlaw life a tactile, unsentimental weight, balancing family bonds, robbery, and inevitable betrayal. Its muddy realism and restrained fatalism fit the morally unstable world of The Missouri Breaks.
04
Why this pick
This meditative, visually lyrical Western shares the film’s interest in drifters trying to build a life amid violence. It is quieter and more interior, but similarly unsettles conventional Western heroism.
05
Why this pick
For the same shaggy, anti-authoritarian flavor of rustlers tangling with powerful landowners, this modern cattle-country satire offers eccentric characters, dry humor, and a deliberately unglamorous view of rebellion.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Tom Logan is a Cattle raiding experiencing hard times. He and his gang are particularly upset by the hanging of a friend of theirs by Braxton, a land baron who takes the law into his own hands. They decide to seek vengeance against Braxton by killing his foreman Pete Marker and by buying a small property close to Braxton's ranch, then rustling his stock.
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02 / FACES IN THE FRAME
Robert Clayton
Jane Braxton
Si
Hank Rate
Hellsgate Rancher
Baggage Clerk
Bob
Madame
