Paris, Texas
Why this pick
Its wide, desolate landscapes and quietly broken people echo The Misfits’ elegiac view of American loneliness, allowing tentative human connection to emerge without sentimentality.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its wide, desolate landscapes and quietly broken people echo The Misfits’ elegiac view of American loneliness, allowing tentative human connection to emerge without sentimentality.
Why this pick
A stark, emotionally candid portrait of people stranded between desire, disappointment, and a fading way of life; it shares The Misfits’ compassion for flawed adults.
Why this pick
John Huston brings the same unvarnished tenderness to lives at the margins, finding dignity and ache in drifting characters whose dreams have begun to fray.
Why this pick
Its spare road-movie form, sun-bleached American spaces, and emotionally guarded drifters make it a fine match for The Misfits’ sense of freedom shadowed by melancholy.
Why this pick
This intimate, unsparing character study has a similarly raw sympathy for a woman seeking affection and self-definition among people unable to offer stable refuge.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
In Reno, Nevada, Roslyn Tabor (Monroe) is a 30-year-old woman who has just filed for a quickie six-week divorce from her inattentive husband Raymond (McCarthy). After leaving the Washoe County Courthouse, Roslyn ignores Raymond's attempts to talk to her, and meets with her best local friend and landlord, Isabelle Steers (Ritter), who is also a divorcee. Isabelle takes Roslyn to a bar at Harrah's Reno for drinks to let the reality of her divorce sink in. While there, they meet an aging cowboy named Gaylord 'Gay' Langland (Gable) and his tow truck driver friend Guido (Wallach). They invite Roslyn and Isabelle to Guido's old house in the Nevada country to help her forget about the divorce, after Gay tells Roslyn that he is also divorced. They arrive at the unfinished house Guido built for his late wife, who died several years earlier during childbirth. They drink and dance. Roslyn has too much to drink, so Gay drives her home to Reno.
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02 / FACES IN THE FRAME

Roslyn Taber

Gay Langland

Guido

Perce Howland

Isabelle Steers
Fletcher's grandfather

Raymond Taber
Church lady collecting money in bar