Kes
Why this pick
Like Richardson’s film, it finds defiance and private dignity in a working-class English boy hemmed in by institutions, rendered with unsentimental realism and a quietly devastating sense of isolation.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like Richardson’s film, it finds defiance and private dignity in a working-class English boy hemmed in by institutions, rendered with unsentimental realism and a quietly devastating sense of isolation.
Why this pick
Its rebellious young protagonist and hostile school hierarchy extend the angry youth-versus-authority current of The Loneliness of the Long Distance Runner, with sharper satire and increasingly surreal force.
Why this pick
Richardson brings the same Free Cinema immediacy to another northern coming-of-age story: socially constrained, funny in flashes, and deeply attentive to a young person improvising freedom.
Why this pick
For the same bruising collision of sport, class, and self-destructive pride, this follows an abrasive athlete whose apparent escape route only intensifies his emotional confinement.
Why this pick
A restless young man’s marriage and motorcycle-club life become a spare, melancholy study of masculine expectation, alienation, and the search for connection in 1960s Britain.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The film opens with Colin Smith (Tom Courtenay) running, alone, along a bleak country road somewhere in rural England. In a brief voiceover, Colin tells us that running is the way his family has always coped with the world's troubles, but that in the end, the runner is always alone and cut off from spectators, left to deal with life on his own.
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02 / FACES IN THE FRAME
Stacy

Willy Gunthorpe - Ranley School Runner

Bosworth
Chief Borstal Officer
Craig
Green
Fenton
Mr Smith