The Grapes of Death
Why this pick
Rollin’s earlier rural nightmare shares the same dreamlike French Gothic atmosphere, lingering morbidity, and graphic eruptions of violence, with a similarly unhurried drift through decayed landscapes.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Rollin’s earlier rural nightmare shares the same dreamlike French Gothic atmosphere, lingering morbidity, and graphic eruptions of violence, with a similarly unhurried drift through decayed landscapes.
Why this pick
Its isolated château, blood-soaked eroticism, spectral women, and luxuriant Gothic imagery closely match the melancholy, sensual visual world surrounding Catherine’s return.
Why this pick
Another Rollin reverie built around a fragile, disoriented woman: less period-Gothic but equally hypnotic, mournful, and interested in memory, vulnerability, and institutional dread.
Why this pick
Toxic contamination awakening the dead gives this a direct premise-level kinship, while its grim countryside, apocalyptic unease, and surprisingly serious tone suit Rollin’s macabre mood.
Why this pick
This feverish female-vampire tale pairs erotic horror with repression and doomed intimacy, offering the same blend of beautiful imagery, unease, and tragic feminine monstrosity.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Two men break into an old crypt, seeking to dump toxic waste and rob the graves. When an earthquake causes the toxic waste to spill, Catherine Valmont, a young woman who died several years ago, is resurrected. She viciously kills the thieves and drinks their blood. As Catherine walks aimlessly through a field, Barbara spots her and takes a few photos, though Barbara's boyfriend, Greg, takes no notice. Catherine returns to her old house, the Valmont Mansion, and memories of her childhood come back to her, especially her childhood friend, Hélène. As Catherine wanders the house, a real estate agent shows an old couple around the property, though they show little interest. After they leave, Hélène calls the house, presumably inquiring about it. However, she hears nothing but a cherished music box, leading her to believe that Catherine may still be alive.
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02 / FACES IN THE FRAME
Catherine Valmont