The Decameron
Why this pick
A bawdy medieval anthology with earthy irreverence and frank sexual comedy; its period world feels playfully grubby rather than reverent.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A bawdy medieval anthology with earthy irreverence and frank sexual comedy; its period world feels playfully grubby rather than reverent.
Why this pick
Matches the deliberately anachronistic profanity, raunch, and committed fantasy-period silliness, with performers playing absurdity entirely straight.
Why this pick
For the same plague-era mud, monasteries, and religious hypocrisy, but recast as a grim, tense folk-horror journey rather than a broad comedy.
Why this pick
Its historical setting becomes a filthy, hallucinatory pressure cooker of authority, desire, and bizarre deadpan humor—far stranger and darker than The Little Hours.
Why this pick
A sharply profane ensemble farce in which status, fear, and lust make supposedly solemn institutions look ridiculous; its rhythm is similarly merciless and deadpan.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
In the year 1347 in Garfagnana, a convent of nuns is led by Father Tommasso. The nuns include Alessandra, who wants a better life for herself and is held at the convent due to her father's support of the church rather than her own bidding; Ginevra, a gossip who is later revealed to be a lesbian and Jewish; and Fernanda, an emotionally unstable and violent woman. The three of them routinely assault the gardener, who quits in disgust. Meanwhile in Lunigiana, a young servant named Massetto gets caught having sexual relations with his master's wife. While on the run, he discovers Father Tommasso, who has gone to sell some embroidery but has instead gotten drunk and lost his possessions in the river. Massetto helps him get back home. The two arrange to have Massetto work as a gardener while pretending to be a deaf-mute, in hopes that this will dissuade the nuns from giving him trouble.
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02 / FACES IN THE FRAME

Francesca

Guard Gregorio

Guard Paolo
Lurco

Ilario

Martha

Bishop Bartolomeo

Mother Marea