Point Blank
Why this pick
A brutally focused revenge odyssey with an alienated man moving through sleek, hostile Los Angeles; its fractured editing and cool, abstract style strongly anticipate The Limey.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A brutally focused revenge odyssey with an alienated man moving through sleek, hostile Los Angeles; its fractured editing and cool, abstract style strongly anticipate The Limey.
Why this pick
Like Wilson, Michael Caine’s hard-edged outsider pursues a personal investigation with terse menace, moral grime, and an unsentimental sense of escalating danger.
Why this pick
Its weathered criminals, spare dialogue, and patient attention to compromised people share The Limey’s melancholy, lived-in noir texture rather than conventional action-movie swagger.
Why this pick
A lean, volatile British crime drama driven by Bob Hoskins’s formidable presence, balancing sudden violence with a portrait of power unraveling under pressure.
Why this pick
It pairs British criminal intensity with sun-bleached unease and bold stylization. Ben Kingsley’s threatening force gives it the same unnervingly concentrated tension as The Limey.
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01 / THE STORY
An Englishman named Wilson travels to Los Angeles to investigate the death of his daughter, Jenny. She reportedly had died in a car accident, but Wilson suspects she was murdered. Recently released from a British prison, he is a hardened man. Arriving in Los Angeles, he meets Jenny's friends Eduardo and Elaine and questions them. Finding they pass his initial inquiry, he elicits their help in investigating Jenny's death. One suspect who emerges is Jenny's boyfriend, a record producer named Terry Valentine. Investigating him it's learned that besides his legitimate record company business, Valentine has involvement in drug trafficking. His involvement is managed through his security consultant, Avery. Wilson locates a warehouse used by the drug trafficker and questions the men there. Laughing at him, they beat him, insult his daughter and throw him out onto the street. Undeterred, Wilson draws a hidden pistol and returns to the warehouse, shooting dead all but one of the employees. As the survivor flees, Wilson shouts "Tell him... I'm coming!"
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02 / FACES IN THE FRAME

Wilson

Terry Valentine

Jennifer 'Jenny' Wilson

Elaine

Eduardo

Head DEA Agent
Jim Avery

Uncle John