The Company of Wolves
Why this pick
Like Ken Russell’s film, it turns British folklore into lush, knowingly artificial erotic horror, balancing campy humour with dreamlike menace and extravagant imagery.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like Ken Russell’s film, it turns British folklore into lush, knowingly artificial erotic horror, balancing campy humour with dreamlike menace and extravagant imagery.
Why this pick
Its decadent aristocratic vampire mood, stylised colour design, sly sensuality, and unhurried absurdity make it a strong match for White Worm’s elegant occult camp.
Why this pick
Another Russell fever dream: a literary ghost-story setting becomes baroque, sexually charged hallucination, with the same willingness to make horror grotesque, funny, and visually excessive.
Why this pick
This rural British folk-horror nightmare shares the ancient buried evil and village corruption, though it plays its period atmosphere and creeping dread far straighter.
Why this pick
A sceptical outsider enters an isolated British community shaped by pagan ritual; its folk strangeness, dark wit, and escalating unease echo White Worm’s regional occultism.
Finding the atmosphere, tension and little details that made this one stay with you.
Our curator needs a little longer. Please come back shortly.
No confident matches yet. Try our personal film finder.
01 / THE STORY
When an archaeologist uncovers a strange skull in a foreign land, the residents of a nearby town begin to disappear, leading to further inexplicable occurrences.
Showing saved details. Some information may be out of date.
02 / FACES IN THE FRAME

Lady Sylvia Marsh
Eve Trent

Mary Trent
Kevin
Joe Trent

Nurse Gladwell
Maid / Nun

Lord James D'Ampton