Out of the Past
Why this pick
A fatalistic noir of shifting loyalties, seductive danger, and a hero drawn back into a past he cannot master; its mood is similarly dreamlike and poisonous.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
A fatalistic noir of shifting loyalties, seductive danger, and a hero drawn back into a past he cannot master; its mood is similarly dreamlike and poisonous.
Why this pick
Its hard-boiled investigation steadily becomes stranger and more apocalyptic, carrying forward the jagged energy and unnerving visual audacity of The Lady from Shanghai.
Why this pick
For its exoticized cosmopolitan atmosphere, dangerous attraction, and ravishingly artificial visual world, this is a luxurious predecessor to Welles’s seductive noir unreality.
Why this pick
A disoriented outsider follows a beautiful, elusive woman through a morally crooked postwar city, rendered with expressionistic angles and playful menace.
Why this pick
This compact wartime nightmare shares Welles’s taste for eccentric supporting players, maritime unease, and a protagonist stranded among people whose motives remain slippery.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Irish sailor Michael O'Hara meets the beautiful blonde Elsa as she rides a horse-drawn coach in Central Park. Three hooligans waylay the coach. Michael rescues Elsa and escorts her home. Michael reveals he is a seaman and learns Elsa and her husband, disabled criminal defense attorney Arthur Bannister, are newly arrived in New York City from Shanghai. They are on their way to San Francisco, California via the Panama Canal. Michael, attracted to Elsa despite misgivings, agrees to sign on as an able seaman aboard Bannister's yacht.
02 / FACES IN THE FRAME

Elsa Bannister

Michael O'Hara

Arthur Bannister

Sidney Broome
Goldfish
District Attorney Galloway
Cab Driver