CINEHUNCH / YOUR NEXT CHAPTER

A FRESH ALLOWANCE AT MIDNIGHT · ISTANBUL TIME

Back to the finderTHE FILM / 2008
The Headless Woman posterA FILM WORTH A CLOSER LOOK

THE FEATURE PRESENTATION

MOVIE2008 1h 27m ARG

IF THIS ONE STAYED WITH YOU

Movies like
The Headless Woman

DramaThriller
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CINEHUNCH / THE NEXT FRAME

Keep the feeling.

SIMILAR PICKS / A PERSONAL CONNECTION

If you loved The Headless Woman, try these.

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Caché

Why this pick

Like Martel’s film, it turns bourgeois comfort into a quietly suffocating moral crisis, using withheld information, offscreen implications, and an unnervingly controlled visual distance.

The Feast poster 02

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The Feast

Why this pick

Its polished domestic setting and deliberate unease echo The Headless Woman’s sense that social privilege depends on looking away from violence and exploitation.

La Ciénaga poster 03

Movie / 2001 / Comedy / Drama

La Ciénaga

Why this pick

Martel’s earlier film shares the humid, fragmented soundscape and observational tension, watching a wealthy Argentine family drift through denial, decay, and class separation.

The Piano Teacher poster 04

Movie / 2001 / Drama / Romance

The Piano Teacher

Why this pick

A rigorously controlled psychological drama in which small gestures and social rituals accumulate into discomfort, with the same refusal to offer easy moral reassurance.

The Second Mother poster 05

Movie / 2015 / Drama

The Second Mother

Why this pick

It similarly examines a privileged household through its ingrained class boundaries; its tone is more direct and humane, but its attention to everyday social cruelty is sharply felt.

CURATING YOUR NEXT FRAME

Finding the atmosphere, tension and little details that made this one stay with you.

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01 / THE STORY

A little about the film.

This film is centered around Vero, an Argentinean bourgeois woman, and how her life slowly twists out of control after she may or may not have struck and killed a dark-skinned servant's child with her car. As Vero is driving, she is distracted by her cell phone and, as she looks down to answer it, her car hits something. She peers in the rear-view mirror, collects herself, and drives away. We do not see what she has run over; a non-point-of-view shot of Vero driving away from the scene shows there is indeed a body, but it is unclear whether it is an animal or a person.

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02 / FACES IN THE FRAME

The people who bring it to life.

María Onetto

María Onetto

Verónica

Claudia Cantero

Josefina

Cesar Bordón

Marcos

Guillermo Arengo

Guillermo Arengo

Marcelo

Inés Efron

Candita

María Vaner

Tía Lala