The Cremator
Why this pick
Its elegant period surfaces, macabre humour and increasingly deranged inner logic echo Buñuel’s blend of bourgeois polish, murderous fantasy and surreal discomfort.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its elegant period surfaces, macabre humour and increasingly deranged inner logic echo Buñuel’s blend of bourgeois polish, murderous fantasy and surreal discomfort.
Why this pick
A poised, aristocratic black comedy in which refined manners and homicidal ambition coexist with chilly wit—an especially close match for Archibaldo’s privileged, self-dramatizing perversity.
Why this pick
Buñuel again turns wealthy respectability into a cruel absurdist nightmare, using deadpan social satire and dreamlike irrationality rather than conventional suspense.
Why this pick
This pitch-black Spanish satire finds absurd comedy in death, marriage and social obligation, with a deceptively light touch that gradually becomes as cruelly ironic as Buñuel.
Why this pick
For the same deadpan assault on upper-class rituals: reality repeatedly slips into fantasy, yet Buñuel’s precise, amused cruelty keeps the absurdity sharply comic.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Archibaldo de la Cruz (Ernesto Alonso) is a wealthy Mexican man. As a privileged child during the Mexican Revolution, he witnessed the death of his governess, who died as she told him a fable about a music box that his mother had just given him. Because of the contents of the story and the coincidental timing of the governess's death, a young Archibaldo concludes that he had killed the woman using the music box. It is from there that his desire to kill begins.
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02 / FACES IN THE FRAME
Patricia Terrazas