The American
Why this pick
Its watchful, ritual-bound loner and austere small-town setting echo Sorrentino’s controlled isolation, letting a tentative romance sharpen the sense of concealed danger.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Its watchful, ritual-bound loner and austere small-town setting echo Sorrentino’s controlled isolation, letting a tentative romance sharpen the sense of concealed danger.
Why this pick
A subdued connection between two guarded hotel workers develops amid Italian noir tension, with the same cool surfaces, emotional reserve, and carefully sustained uncertainty.
Why this pick
Melville’s immaculate, near-silent portrait of a solitary professional is a key companion piece: precise routines, urban emptiness, restrained feeling, and menace carried through image and gesture.
Why this pick
An exquisitely controlled tale of a man insulated by habits and luxury, whose encounter with intimacy unsettles his private world; it shares the elegant melancholy and slow-building unease.
Why this pick
For the hypnotic routines and stylised detachment: a nameless man moves through immaculate spaces on an opaque mission, creating tension through silence, repetition, and visual composition.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Titta Di Girolamo is a middle-aged loner who has spent the last eight years living in an upmarket hotel in Lugano, Switzerland. Every day he puts on his suit and wanders around, avoiding contact with people. In the morning, he solves the chess puzzles in the paper and in the evening he plays Grabber with a bankrupt aristocratic couple who are marooned in the hotel they used to own. Occasionally, he rings his family in Italy but his wife is always reluctant to talk, and his grown-up children despise him. He develops feelings for Sofia, the beautiful and stylish waitress at the bar of the hotel but he refuses to speak to her because, in his shyness, he fears that love would complicate his monotone but quiet life.
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02 / FACES IN THE FRAME

Titta Di Girolamo
Mafioso
Director
Waitress

Letizia

Hired Assassin

Valerio