Offside
Why this pick
Panahi again uses an apparently simple public outing to expose how rules govern women’s bodies and choices, with the same humane, street-level realism and sharply observed ensemble tension.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Panahi again uses an apparently simple public outing to expose how rules govern women’s bodies and choices, with the same humane, street-level realism and sharply observed ensemble tension.
Why this pick
Its three linked stories offer a similarly lucid, unsentimental view of Iranian women confronting social boundaries, using spare imagery and quietly escalating emotional pressure.
Why this pick
This intimate urban drama shares The Circle’s social urgency and compassion for women navigating institutions, poverty, and family expectations without reducing them to symbols.
Why this pick
Panahi’s mobile, conversational portrait of Tehran preserves his gift for revealing civic restrictions through chance encounters, balancing dry wit with an undercurrent of unease.
Why this pick
Its patient observation of a working-class man moving through an unequal Tehran echoes The Circle’s controlled anger, documentary-like immediacy, and attention to social systems closing in.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
The film begins in a maternity ward of a hospital, where the mother of Solmaz Gholami is upset to learn that her daughter has just given birth to a girl, even though the ultrasound indicated that the baby would be a boy. Worrying that her in-laws will force their son to divorce her daughter, she tells another daughter to call her uncles.
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