The Last Exorcism
Why this pick
Like The Borderlands, it uses a skeptical religious investigation, handheld realism and an escalating sense that the investigators are documenting something they cannot contain.
A FILM WORTH A CLOSER LOOKTHE FEATURE PRESENTATION
IF THIS ONE STAYED WITH YOU
Keep the feeling.
SIMILAR PICKS / A PERSONAL CONNECTION
Why this pick
Like The Borderlands, it uses a skeptical religious investigation, handheld realism and an escalating sense that the investigators are documenting something they cannot contain.
Why this pick
Its documentary-style crew, initially rational approach and steadily tightening dread closely echo The Borderlands’ procedural found-footage tension.
Why this pick
A period-set, faith-centered investigation filmed as recovered footage, with Catholic investigators entering an institution whose menace grows more oppressive by the minute.
Why this pick
This builds supernatural unease through observational footage and a grounded investigation, then lets its spiritual dread intensify without abandoning its raw realism.
Why this pick
For the same low-key investigative found-footage mood: a small crew follows a seemingly explainable mystery into dank, claustrophobic and increasingly hostile spaces.
Finding the atmosphere, tension and little details that made this one stay with you.
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01 / THE STORY
Three men – Deacon, a sceptical Brother (Christian), Gray, an English layman and technology expert and Father Mark Amidon – are sent by the Holy See to investigate reports of supernatural activity in an old, recently reopened church located in the Devon countryside.
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02 / FACES IN THE FRAME

Deacon
Father Crellick
Jim

Mark

Father Calvino